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Byron Shire
March 1, 2021

Star Trek Into Darkness – Film Review

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Police looking for missing Pottsville woman

Police say they are seeking public assistance to locate a woman missing from Pottsville for almost a week.

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Update: Main Arm raids… The police are in Mullum!

After several reports today from readers that there is a 'massive drug operation' and a 'gun and drug unit from Parramatta!', an intrepid Echonetdaily drudge wandered over to Barry Lomath Oval next to the skate park and netball courts in Mullum.

A closer look at Byron Council’s fossil fuel investments

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Police confirm Main Arm drug operation

NSW Police have finally confirmed what pretty much every one in Main Arm already knows – they are conducting drug operations in the north of the Shire.

Rail trail

Peter Finch, East Lismore At last someone else has put their hand up to question the fluffery and misinformation surrounding...

Super swim challenge accepted

A group of mates from Brunswick Heads, Byron Bay and Lennox Head, recently formed a swim team known as the Anti Budgie Boardriders for the purpose of taking part in the Starlight Foundations Super Swim Challenge.  

Interview with Sarah McLeod

Sarah McLeod is a passionate woman. She’s Aussie rock royalty, front person of The Superjesus and a powerful solo performer. In this interview she talks about her two loves, one new and one gone; her piano and her dog. One found, and one lost, during lockdown.

stid-17-wp

John Campbell

It is needlessly churlish to not give credit where it’s due. So it must be conceded that JJ Abrams, a blockbuster specialist (my favourite is the ‘smaller’, more folksy Super 8), has been spectacularly successful here with his $185 million budget.

The movie starts at a high pitch of activity, with the crew of the USS Enterprise sorting out ‘trouble at mill’ in some distant galaxy. These opening sequences are vividly coloured, but soon after, when the Enterprise’s captain is killed by the rogue time-traveller Khan (Benedict Cumberbatch), leaving Kirk (Chris Pine) to ascend to the commander’s hot-seat, standard metallic blues and greys dominate the palette. Excepting, of course, for the crew’s camp uniforms which, along with the stagey dialogue, exhibit a pleasing fidelity to the original TV show’s cultish kitsch. From this point the story resembles nothing so much as an old-fashioned western, as the posse ventures into forbidding badlands on the trail of the bad guy. As in so many CGI extravaganzas, for long stretches I found myself staring at the screen with glazed eyes, waiting for the rumble to end and the next plot point to be inserted. The effects are extraordinary, especially in 3D, but if you are not one to be gob-smacked by pyrotechnics, no matter how good, then you’ll struggle to see it through. By far the more interesting – or at least entertaining – scenes are those that highlight the relationships between the many quirky characters. Simon Pegg is foolishly miscast as Scotty, but Zachary Quinto is fab as the young Spock. Pine imperceptibly grows into the part of the blue-eyed, all-American hero and Cumberbatch, sounding like he’s channelling Alan Rickman, is deliciously over the top in his villainy. The smash-up climax, the most awesome feat of cinematic SFX that this viewer has seen, is a chilling throwback to 9/11 and the concluding oratory, reminding us that in fighting evil we risk falling into our own darkness, is a salient warning of the devil hidden in our piety.

 


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