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Byron Shire
May 13, 2021

Magic In The Moonlight

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Lismore City Council declares housing emergency, wants more units

A Lismore City Council housing survey had shown more than 60 per cent of residents were living by themselves or with one other person, Cr Ekins said, prompting ‘a real need for smaller housing or units’.

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Lismore City Council declares housing emergency, wants more units

A Lismore City Council housing survey had shown more than 60 per cent of residents were living by themselves or with one other person, Cr Ekins said, prompting ‘a real need for smaller housing or units’.

How full is that glass?

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I held back from saying it after Jersey Boys for fear of sounding ageist. But if the great Clint Eastwood had not on that occasion made the movie of an old man, then the revered (and by some reviled) Woody Allen has most certainly done so with this sweet and flowery waffle.

We are all familiar with Allen’s obsessions, the major one of which is death and his neurotic fear of it – he has made a career of exposing and exploring its non-negotiable certainty.

Generally speaking, however, artists are more successful at teasing out life’s more profound questions when they stick to their practised medium.

Their attempts at outright philosophy are clunky at best.

Stanley (Colin Firth) is little more than the director’s alter-ego. A magician of renown with a brilliant history as an entertainer (like Allen), he is the ultimate pragmatist who, though he might ardently wish for there to be an afterlife, has taken pride in demolishing those charlatans who claim to have evidence of it.

Sophie (Emma Stone) is an ingénue from the US midwest who is making a name for herself as a spiritualist among the odiously rich of the Côte d’Azur.

Unable to resist a debunking, Stanley is enticed by Howard (Simon McBirney), a fellow illusionist, to travel to France and expose Sophie as the fake that she surely must be.

The dialogue between the two antagonists is gauche and the tiresome predictability of a romance smouldering between them (younger women find older men irresistible in Allen’s world) is hampered by the couple’s complete lack of chemistry.

Admittedly, the location is gorgeous, but escapist eye-candy only serves to fill the cracks of an over-simplistic script.

It’s gratifying to see ‘our’ Jacki Weaver doing so well for herself, but Firth is atypically wooden and Stone half-hearted.

Hearing the refrain of Cole Porter’s You Do Something To Me for the umpteenth time, it occurred to me that Allen has made what is in essence a pleasant little radio play with pictures.

~ John Campbell

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  1. I thoroughly enjoyed it and my husband who is anti Woody Allen was pleasantly surprised and enjoyed it also. Nice gentle no sex, no violence no swearing gorgeous scenery and costumes. Yes, predictable that Firth would fall in love with Emma Stone but hey who cares.
    Thought all the characters were good especially Eileen Atkins (Aunt) Marcia Gay Harden disappointing. Jackie Weaver – ok..

  2. I agree, it was a lame script and there was no chemistry between the two leads. Colin Firth has sadly become a parody of himself. Wooden is fine for the stiff Darcy, but not ad infinitum. However, I think you mean ‘protagonists’, not ‘antagonists’?


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