20.3 C
Byron Shire
October 20, 2026

Is a free press essential or a luxury?

Latest News

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

Norma Gunhoe brings the ‘Gunghoedown’ to town

Radio broadcasting sensation, Norma Gunghoe, is launching herself at the world from the Mullumbimby Golf Club with the Gunghoedown this Saturday, 17 October at 6pm and you are invited to come along and join the fun.

Culvert remediation works

Byron Shire Council says repairs to the damaged culvert on Coolamon Scenic Drive, between Dudgeons Road and Synotts Lane, will commence tomorrow (20 October 2026). The remediation works will address damage that has restricted traffic to one lane through the affected section.

The price of ignorance

What often gets described as ‘racism’ in Australia is often based on plain old ignorance. People lacking the interest...

Domestic violence: Lismore

I witnessed the aftermath of a serious assault on a woman in Conway Street, Lismore in broad daylight. This was...

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

AI growing up quick

We are exactly at the point where we lose control of the AI, and it will try to hide...

The very first amendment made to the American Constitution protects freedom of speech and freedom of the press. 

It is claimed that freedom of expression is essential to protect every other right that flows in a ‘free’ country. But is that true?

In Australia, we have spent the past year considering the health of our own democracy – the voters have strengthened the power of parliament by electing large cross-benches to hold the major parties (Labor and the Liberals–National coalition) to account. 

A National Anti-Corruption Commission has finally been established. 

Parliamentary inquiries have revealed the scandalous betrayal of taxpayers by large corporate consultancy firm, PwC. 

Ben Roberts-Smith. Wikimedia Commons

The court system has exposed a revered Victoria Cross (VC) recipient, Ben Roberts-Smith, as a probable war criminal.

But in every case, our ‘free’ news media has not merely had a role reporting on these stories – in the case of the VC recipient who failed in his defamation bid, the role of the media became the story itself.  

Just as Roberts-Smith has gone from hero to zero, the two journalists he sued for defamation are now the heroes, talking us through how they conquered the odds to complete their mission. 

We surely have feelings of gratitude for the journalists’ efforts. 

But it is shattering to realise that somehow, as a nation, we blindly handed the Victoria Cross to a war criminal who became one of our most revered Australians. 

We now face a difficult journey addressing our responsibility for war crimes, and unpicking how this could possibly have happened – what system, what culture, what sort of deranged groupthink could have perpetrated such a gigantic fraud on the Australian public?      

What is worse, this hero-to-zero story is not an isolated case. It adds to a pattern of news stories where accepted norms and embedded narratives have been turned on their heads. 

The PwC scandal, whereby a trusted accounting company betrayed Australian taxpayers, has exploded thanks to media reporting. For the Australian office of PwC to betray Australian taxpayers – in order to line the pockets of global clients like Glencore Mining – can only be described as economic treason. We have to ask how did we get into this situation where the institutions we rely on – the ATO, Treasury and even the Australian Federal Police (AFP) dropped the ball – and it fell to the free press to fill that void?

The free media has played a vital role in quashing astonishing abuses of power by our own government. 

The appalling persecution of the Murugappans – a Tamil family of four better known as ‘the Biloela family’ went on for ten years in a game of cat and mouse that only ended with a change of government last year. 

ACT lawyer, Bernard Collaery, has been appointed Honorary Legal Officer for the Australian Bravery Association, despite being charged by the former Liberal-Nationals federal government. Photo Eve Jeffery

Similarly, the media was critical to ending the secret prosecution of Bernard Collaery – a lawyer accused of breaching the federal Intelligence Services Act 2001. 

Mr Collaery helped his whistleblower client reveal embarrassing details about how Australia’s government, in 2004, spied on East Timor to gain a commercial advantage in sharing of Timor Sea oil and gas reserves. Think about it. 

Spying on one of the poorest countries in the world to steal economic advantage from them was said to be in our national interest. 

Revealing that shameful activity to an incredulous public was said to be against our national interests. It took nearly ten years for Collaery, aged 77, to be freed from persecution by his own government.  

Later on, a couple of Guardian journalists figured out, and revealed, the staggering truth about Robodebt. 

An ABC Four Corners story ‘Fox and the Big Lie’ revealed Murdoch media’s deliberate undermining of American democracy to protect Fox profits, bringing down right-wing icon, Tucker Carlson, in the process. And it was the media who discovered Scott Morrison’s multi-ministry scandal. 

It took a persistent, questioning media effort to reveal that a 95-year-old nursing home resident ‘injured during an interaction with police’ had, in fact, been tasered, as she slowly approached them in a walking frame. 

So much of this news is demoralising, and often calls into question our precious perceptions as to who we really are and what it means to be Australian.  

Sometimes these media reports are particularly hard, because they reveal things that politicians, governments, institutions and we, the people, do not want the truth to be. We wish it wasn’t true and so it falls to the media to force us to face it. To protect the truth, however unpleasant it proves to be.

This is never easy or simple – we are dismayed by the shattering of the mythology surrounding Ben Roberts-Smith. But we also need to remember the bravery of SAS soldiers who defended the truth and, in many ways, salvaged our honour as a nation. These men who stood by the gut-wrenching truth would rather run headlong towards Taliban bullets than talk to friendly journos. 

It is a lot to absorb when heroes become villains and villains turn out to be heroes. It is especially troubling that truth can take so long to emerge. 

As former US Secretary of State, Madelaine Albright, wrote: ‘The ability of a free and independent press to hold political leaders accountable is what makes open government possible – it is the heartbeat of democracy.’ 

♦ Catherine Cusack is a former NSW Liberal MLC.



For four decades The Echo has printed the stories some people loved, some people hated, and some pretended not to read. If you want us to keep telling the truth, the real truth, not the sugar-coated version. We’ll need your support to keep the presses rolling.

If you are a local business owner help us and in turn we help you. All The Echo asks for is advertising, not a free ride. It is every advert in The Echo and on www.echo.net.au, which creates the space for all the stories and coverage of community events, happenings and concerns.

If you are a reader you can become a sponsor of The Echo. Your support keeps the us independent.

Even a small one-off or regular donation from you will help keep the echo’s independent voice alive and strong.

Support Us

Become one of the supporters who helps keep independent, local journalism alive in the Byron Shire by contributing anything from as little as the cost of a coffee each month.

You're Wonderful, Thank you for supporting independent journalism in the Byron Shire

You’re supporting The Echo, thank you

Your contribution is keeping independent, local journalism alive in the Northern Rivers.

Because of supporters like you, we can keep every story free for everyone — no paywall, no exceptions. Your money goes directly to funding our newsroom of 40-odd local workers covering the stories that matter to this community.

Tell us what you think, give us your opinion

The Echo loves your letters and comments and is proud to provide a community forum on the issues that matter most to our readers and the people of the NSW north coast. So don’t be a passive reader, email us your epistles at editor@echo.net.au.

The letters deadline for The Echo is noon Friday. Letters longer than 200 words may be cut. The publication of letters is at the discretion of the letters editor. Please remember to include your full name, address and telephone number.

Online comments are no longer available.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?