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October 20, 2026
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Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

BBFF Young Australian Filmmaker of the Year

Melbourne writer-director Jake James Whitford has been named the 2026 Young Australian Filmmaker of the Year at the Byron Bay International Film Festival (BBFF), for his short film 'The Squatters and the Fairy Princess'.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?

Domestic violence: Lismore

I witnessed the aftermath of a serious assault on a woman in Conway Street, Lismore in broad daylight. This was...

Cheaper school pool access proposed as Byron faces financial squeeze

Byron Shire’s schools could receive cheaper access to Council pools for swimming and water-safety programs under a proposal going before councillors on October 15.

Mullumbimby Road to be temporarily closed

Byron Shire Council says Mullumbimby Road will be closed to outbound traffic for three days, except for buses and emergency vehicles, for three days from 16 to 18 November.

Restricted mobility

Our mobility choices are an expression of our freedom of movement. Yet, not everyone in our community is able...

Stories about "eSafety Commissioner Julie Inman Grant":

From homework to heartache: why children are turning to AI

Artificial intelligence is becoming a normal part of growing up, with new eSafety research showing almost four in five Australian children aged 10 to 17 have used an AI assistant. While AI assistants are commonly associated with helping people learn, create content and complete tasks, the research shows children are increasingly using these tools to seek advice, reassurance and to discuss sensitive personal issues.

Tech companies grilled on how they are tackling terror and violent extremism 

Australia’s eSafety Commissioner has issued legal notices to Google, Meta, Twitter/X, WhatsApp, Telegram and Reddit requiring each company to report on steps they are taking to protect Australians from terrorist and violent extremist material and activity.

Deep cuts to safety confirmed at Twitter/X

In a new transparency report released by Australia’s eSafety Commissioner, information provided by X Corp., the owner of social media platform Twitter/X, indicates the company has made deep cuts to safety and public policy personnel, with serious implications for online hate in Australia and around the world.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?