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Byron Shire
June 21, 2026

Here & Now #50

Latest News

The NT intervention laws that shape lives

This Sunday marks 19 years since the then Howard Government announced the Northern Territory Intervention laws – ‘The Intervention’ began with a media release by Mal Brough, Minister for Indigenous Affairs, on June 21, 2007.

Other News

Peace in our time?

While details remain scant, there are claims from multiple sources that a peace deal has finally been reached in the war between Iran and the United States, after nearly four months of fighting.

Local media needed

Congratulations to The Echo for 40 years of providing our community with independent review and scrutiny and information that...

Artist Gerwyn Davies exhibits at Tweed Gallery

From 3 July, a major new body of work by Gadigal/Sydney-based artist Gerwyn Davies will be exhibited at the Tweed Regional Gallery & Margaret Olley Art Centre.

More comes out on Byron and Mullum pools saga

The problem with Byron Shire councillors making decisions in confidential sessions ‘behind closed doors’ is that no-one knows what really happened apart from those in the room.

Investigation launched into assaults, torture of flotilla humanitarians

The Australian Labor government has committed to undertaking an independent investigation into the assaults, sexual assaults and torture of humanitarians aboard the Global Sumud Flotilla, according to a flotilla media spokesperson.

Police chase stolen vehicle in Tweed, man charged

Police say a man will face court today charged after an alleged pursuit in a stolen vehicle at Tweed Heads yesterday morning.

Image S Sorrensen
Image S Sorrensen

S Sorrensen

My place. Tuesday, 9.55am

I live in a shack under the cliffs – not too far from Kyogle, not far enough from the proposed gas wells at Bentley.

Under the shack, beneath the brushbox floor I nailed down about 25 years ago, is some really valuable stuff I have collected over the years. In contrast to the disposable society in which I live, I don’t let go of stuff easily; I put it under the shack.

I keep this precious paraphernalia – like my son’s first bicycle helmet or a papier mache sculpture of a bull I bought in a Casino op shop for $2 – under the shack until moisture or rats or termites have reduced sentimentality to silliness. Then I take this rubbish to the tip.

I do so sadly, but even I realise that keeping a termite-eaten leg of a papier mache bull or the plastic exo-skeleton of a rat-ravaged bike helmet from the 80s is a tad excessive.

My treasures, though, are not confined to under the shack; inside the shack is filled with memorabilia. Here are the most valuable artefacts, more protected from the organic perils lurking under the floor.

Theatre tickets are tacked to the wall (Railway Wonderland was a great show), a dried baby shark hangs from the ceiling (found by my son and his mate on a beach near Evans Head when he was 10), Superman stands on a cupboard and inspires with battery-operated talk about truth and justice, and, above the lounge, my Japanese sword lies cradled in its sheath (my stepfather acquired it during the war). What price this stuff?

Only the sword gets used. Some nights I wander the shack’s grounds in my Bali battle sarong, Cambodian 60s pop tinkling loud on the stereo, swinging my Japanese sword like a fat samurai, calling toads to a swift death.

Most of my stuff is worthless in an economic sense because it doesn’t get used, has no coal in it and will not connect to the internet. Junk. Useless.

Sure, I could cook the desiccated baby shark over burning Railway Wonderland tickets when times get really tough, but for the moment, I still have baked beans in the pantry.

I could sell the sword and see the toads dance in joy on the bodies of dead goannas. I could sell my shack and have enough money to buy a car with air-conditioning and power steering.

But I would lose my life. Life does not have a dollar sign attached.

For most of humanity’s 200,000 years on this planet, respect has been paid to the ecosystem that supports us.

It had value but not price. But a monster, recently created by humans, has no respect for humanity or the systems that support it. And now these corporate monsters run amok, unfettered by government, slapping a price on the priceless, and poisoning a small planet with their toxic feasting.

Behind my shack are the cliffs. At their base is a forest of trees pumping oxygen into the atmosphere, free of charge.

Beyond the cliffs is a paddock in Bentley. Under the paddock lies an aquifer of clean water that nourishes the land, the animals and the people, free of charge.

I wish I could gather all the trees pumping oxygen and all the water nourishing life and stash them in my shack with Superman.

I would honour them because I know their real value. They are life.

I would guard them with my Japanese sword against the marauding monsters that hop about in the dark and which would devour them for a quick buck.

The planet is not disposable.

You break it, we pay.



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Hemp industry given boost with development plan

A Hemp Industry Development Plan has been announced by the NSW government, which promises 'to unlock new opportunities for NSW businesses and add value to the state's low-THC hemp industry, which is forecast to become a $100 million Australian industry by 2032'.

Gambling harm recognised by Tweed Council, supported by Wesley Mission

Faith-based, not-for-profit organisation providing community services in NSW, Wesley Mission, has welcomed Tweed Shire Council’s decision to publicly recognise the impact of gambling harm and advocate for stronger harm-minimisation measures.

Winter Warmer fundraiser for homelessness

The annual Winter Warmer Homelessness Relief campaign, hosted by Dharma Care, will return for 2026 with cabaret at Salt, Kingscliff, on Thursday 2 July, headlined by comedian Mandy Nolan, interactive performance artist The Space Cowboy and the Kinship Doobai Dancers, with a Welcome to Country from Aunty Jackie.

Tweed Shire Council presents flood resilience series – part one

Over the coming weeks, Tweed Shire Council will present a flood resilience series, which looks at how 'Tweed's story is different from the standard flood recovery narrative and what happened next'.