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Byron Shire
October 20, 2026

Jenny Hocking and Gough

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Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

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‘Coal mines are writing the laws’

The Minns government has announced it will bypass the independent planning process and legislate an increase in coal production at MACH Energy's Mount Pleasant mine, following the landmark High Court decision that found the mine's expansion approval was invalid because the climate pollution from exported coal had not been properly considered.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

Norma Gunhoe brings the ‘Gunghoedown’ to town

Radio broadcasting sensation, Norma Gunghoe, is launching herself at the world from the Mullumbimby Golf Club with the Gunghoedown this Saturday, 17 October at 6pm and you are invited to come along and join the fun.

Calls on NRPP to defer consent for Mullumbimby’s 57 Station Street DA on Monday

At Thursday’s Byron Shire Council meeting there were multiple calls for a deferral of the 57 Station Street, Mullumbimby car park development application.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?

Professor Jenny Hocking. Photo supplied.

Tomorrow night in Byron Bay an evening of conversation will take place between celebrated journalist Kerry O’Brien and author and academic Jenny Hocking on her revealing new book The Palace Letters: The Queen, the governor-general, and the plot to dismiss Gough Whitlam.

The book is touted as a ground-breaking account in which Hocking discloses the obstruction, intrigue and duplicity she faced during her 10-year campaign to expose the truth behind the dismissal.

Jenny Hocking is emeritus professor at Monash University, Distinguished Whitlam Fellow at the Whitlam Institute at Western Sydney University, and Gough Whitlam’s award-winning biographer. Her appeal against the decision of the Federal Court in the Palace letters case was upheld by the High Court on 29 May 2020.

A progressive prime minister

Gough Whitlam was a progressive prime minister whose reign proved tumultuous and divisive after 23 years of conservative government in Australia. When a hostile Senate refused to vote on his 1975 budget, the political deadlock that ensued culminated in his unexpected and deeply controversial dismissal by the governor-general, Sir John Kerr.

Kerr was in close touch with the Palace during this period, but, under the cover of being designated as personal, that correspondence was locked away for decades in the National Archives, and embargoed by the Queen — potentially forever. This ruse denied the Australian people access to critical information about one of the most divisive episodes in the nation’s political history.

In the face of this, Professor Jenny Hocking embarked on what would become a ten-year campaign and a four-year legal battle to force the Archives to release the letters. In 2015, she mounted a crowd-funded legal challenge, securing a stellar pro bono team that took her case all the way to the High Court of Australia. In May 2020, despite being opposed by the Archives, Buckingham Palace, and the full resources of the federal government, she won her historic case.

A ground-breaking account an indomitable fight

The Palace Letters is the ground-breaking account of her indomitable fight. Drawing on material from the Palace letters, Kerr’s archives, and her submissions to the courts, Hocking traces the collusion and deception behind the dismissal, and charts the secret role of High Court judges, the leader of the opposition, Malcolm Fraser, and the Queen’s private secretary in fostering and supporting Kerr’s actions.

Hocking also reveals the obstruction, intrigue, and duplicity she faced during her campaign, raising disturbing questions about the role of the National Archives in fighting access to these historic letters and in enforcing, against Australia’s national interests, royal secrecy over its own documents.

The even will be held tomorrow night, Tuesday December 8 at 6pm in the Byron Theatre.



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Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?