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October 20, 2026
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Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

Dear Brunswick

After 11 wonderful years, the time has come for our family to say farewell as owners of the Brunswick...

BBFF Young Australian Filmmaker of the Year

Melbourne writer-director Jake James Whitford has been named the 2026 Young Australian Filmmaker of the Year at the Byron Bay International Film Festival (BBFF), for his short film 'The Squatters and the Fairy Princess'.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

No short-term solutions

Here we are, put into the very precarious situation of funding Byron Shire Council’s (BSC) infrastructure shortfalls. By no...

Mayor Sharon Cadwallader announces bid for state seat of Ballina 

Ballina Mayor Sharon Cadwallader will contest the state seat of Ballina as an independent, arguing that local ratepayers are carrying costs that should be met by the NSW government.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Stories about "1967 referendum":

The politics of the 2023 Voice referendum non-existent in 1967

Australians voted in the 1967 referendum on May 27, 1967. Harold Holt was the prime minister at the time, a Liberal MP who led a Coalition with the Country Party.

Review on remote Indigenous Australians sheds light on the Voice to Parliament

As a white man living on Bundjalung Country, I acknowledge that it is not easy to make the cross-cultural shift from a Western paradigm lens to comprehend and appreciate the rich diversity and complexity of 65,000 years of Aboriginal and Torres Strait Islander Peoples’ sociocultural and spiritual history.

Byron’s Yarn Up and Murwillumbah’ Kinship Festival – celebrating Reconciliation Week

The weekend celebrations across the region marked the end of Reconciliation Week.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?