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Byron Shire
June 15, 2024

Cinema Review: Halloween

Latest News

Youth suicide?

ABC News reporting on youth suicide in remote communities at an alarming rate? The Elders are using Aussie Rules...

Other News

Incredibly biased

Danny Wakil blasts my ‘incredibly biased anti-Israel letters’ and ‘fictitious claims about Israel’, but he doesn’t cite a single...

Greenhouse emissions increase by 40 per cent

The Global Nitrous Oxide (N₂O) Budget, released today, reveals anthropogenic (human-induced) N₂O emissions have increased by 40 per cent in the past four decades, with the period between 2020-2022 showing an accelerated rate of growth. 

Murwillumbah’s Budd Park – what do you want to see there?

Tweed Council is seeking community feedback on a draft concept plan to upgrade Budd Park at Murwillumbah, a popular meeting point beside the Tweed River.

Community search for Gage Wilson to continue

A community search is to continue today for missing 31-year-old Mullumbimby man Gage Wilson.

Local runners impress at national championships

Byron Bay Runners are producing some of the best track runners in the country, with five of our senior squad athletes finishing in the top ten in their events at Athletics Australia’s recent national championships held in Adelaide, back in April.

Byron’s No Bones welcomes new head chef Bianca Palmer

No Bones Byron Bay is excited to announce the arrival of their new head chef, Bianca Palmer, saying her ‘extensive culinary background and passion for plant-based cuisine are set to bring a fresh wave of innovation to our restaurant.

John Carpenter’s original Halloween (1978) is regarded as a masterpiece by aficionados of the horror genre (let’s not quibble over the superlative – hyperbole is the norm these days). With Jamie Lee Curtis reprising her role as Laurie Strode, a survivor of that massacre-fest, and Carpenter involved as an executive producer, this latest sequel was always going to attract a lot of attention, much of it favourable. To give credit where it’s due, there are genuinely scary moments, and they might have been even more so had not the flickering of phones being activated for Facebook and Snapchat checks diminished their effect – but that’s the airhead nature of the movie’s target audience. Serial murderer Michael Myers escapes from custody and heads for the town where he first enacted his killing spree. No sooner is he at large than bodies start splattering the screen – among them a young female journo whom I was disappointed to see get throttled. There is neither rhyme nor reason to his rampage – he just stabs, strangles or bashes to death anybody who crosses his path. Laurie, obsessed with revenge, is prepared for him, but her estranged daughter (Judy Greer) and grand-daughter (Andi Matichak) are not. All of the action takes place on the night of 31 October, as Myers leaves a trail of blood and gore around Haddonfield. There is a surprise ‘Stockholm syndrome’ incident that threw me entirely, but like so much of the writing it comes to nothing and leaves you wondering if the script was just made up as they went along (one of the sheriffs disappears with no explanation). A couple of times I had to turn my head, unable to stomach violence so graphic, and you can suss out too early who the survivors of the carnage will be. Because Hollywood is like a dog with a bone when it comes to any profit guaranteed at the box office, the last scene is inconclusive, but it’s hard to get excited about Myers making a comeback.


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