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October 20, 2026

Voice and conscience

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Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

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Free Musicland talk in Byron

Local author Tricia Shantz will be talking about a seminal time and place in her new book Musicland: When the Music Came to Byron 1970–1995 at the Byron Bay Library on Thursday, 29 October at 3pm.

One river, many voices

It's the final week of Richmond RiverFest, with events from Ballina to Lismore, and the upper catchment to the coast.

Some issues that parliamentarians have to vote on transcend partisan political positions. Oftentimes the issues relate to deeply-held moral, religious, or ethical views. In my view the Voice is such an issue. All parliamentarians should have a conscience vote on this, even the Nationals, who classically said (28/11/2022) that the party’s decision to oppose the Voice was not binding and individuals ‘could choose how they would be involved’, whatever that means. I’m hoping it means they can have a conscience vote.

The Voice advisory group want the opportunity to express their concerns in their own way, not through the echo chambers of party-aligned politicians or distant bureaucrats. They want this critical role, not just when the parliament votes on a matter affecting them, but in the formulation of policy and in the execution of an enacted law. They want engagement at the earliest time that an issue emerges right through to when a law is being implemented by the respective department. And afterwards!

It’s an advisory role – not a veto role – on policy and law. It requires that parliamentarians, ministers (and their departments) engage with them. Consider how all the hundreds of lobbyists operating in the shadows in Canberra have significant impact on law-making and how little scrutiny they are subject to. A Voice body will be visible and subject to constant scrutiny. 

There will be a learning curve to negotiate because this is a significant change to how governments and First Nations people interact. But we have had centuries now of failed policy and First Nations peoples’ concerns not being heard. Some short-term disruption is a small price to pay for what our collective conscience needs.

To those who say it’s a waste of money, or that it’s another layer of bureaucracy, I would say that such persons don’t mind when the dice falls in their favour, but not if the dice favours someone else, such as a marginalised group.

At base, does a supposedly harmonious, multicultural society that our politicians keep reminding us of, function appropriately when the original inhabitants continue to experience disadvantage?  

The Voice proposal goes to the essence of what an inclusive, compassionate society should be. From the Uluru Statement of the Heart in 2017 to the present it has been advanced with the utmost grace, with a level of trust in Australianism (i.e. the noble version of Australia), that I’ve not witnessed before, and it is asking us to consider and to vote with our conscience.

(I respectfully acknowledge the Guardian article by Natalie Tarman on 29/3/23)

Frank Lynch, Wilsons Creek



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Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?