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Byron Shire
October 20, 2026

Perspective after four years away

Latest News

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

Free Musicland talk in Byron

Local author Tricia Shantz will be talking about a seminal time and place in her new book Musicland: When the Music Came to Byron 1970–1995 at the Byron Bay Library on Thursday, 29 October at 3pm.

Treasurer Jim Chalmers on facts and feelings

Logan boy made good Jim Chalmers fronted up to the Australia Institute in Canberra last week to give a memorable and candid speech about the challenges facing his government, and the nation.

Found – Missing Robert Craig, last seen at South Golden Beach

Police are searching for 72yo, Robert Craig, last seen on a bush track at Helen Street, South Golden Beach, about 7.30am this morning.

BBFF Young Australian Filmmaker of the Year

Melbourne writer-director Jake James Whitford has been named the 2026 Young Australian Filmmaker of the Year at the Byron Bay International Film Festival (BBFF), for his short film 'The Squatters and the Fairy Princess'.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

‘Coal mines are writing the laws’

The Minns government has announced it will bypass the independent planning process and legislate an increase in coal production at MACH Energy's Mount Pleasant mine, following the landmark High Court decision that found the mine's expansion approval was invalid because the climate pollution from exported coal had not been properly considered.

Cartoon Charlie Hebdo – www.charliehebdo.fr

Four years is the longest I’ve been absent from Australian shores – plenty seems to have happened since I last set foot here. Juanita presents the news from Gadigal Country, and there are all sorts of new accents on TV, people ‘check in’ as religiously as they saved water during the decade of drought. There was a new drought – so severe my home town of Tenterfield ran out of drinking water – there were crazy fires, and then the best season any farmer has seen in their lifetime.

Road crews seem to now be half female, and Marrickville has become trendy. Byron has gone beyond trendy and entered some kind of stratospheric zone where no normal human dares to tread!

Some things of course remain resolutely the same: Sydneysiders discuss house prices, secretly pleased their homes are worth so much, wondering in the next sentence how their children (let alone their cleaners) will ever afford to live there.

I forget, and am reminded every time I come home how great Jatz are, and how great Aussie coffee, is while organic food remains hard to find for any reasonable price.

Aussiness

Eighteen years living in Europe has accustomed me to absences from all that Aussiness, but this was the longest stretch. I’ve never been one for homesickness but it was starting to weigh on me. A slight sense that the thread connecting me wasn’t just stretching, but perhaps fraying, definitely fragile in a way I hadn’t previously felt.

I searched out Australian-made series on Netflix (limited when your IP address is in France). I monopolised a client when I realised he had no accent (ie, he had an Aussie one) – so desperate was I to hear a voice that sounded like home. In March I delivered my 18 year old to Frankfurt airport – how comforting it was to put him on a Qantas repatriation flight full of people sounding like us.

Changing country

When my turn to return came in late September, instead of the usual full immersion experience once you land we were instead ferried through an empty terminal, onto a socially distanced bus, and into a hotel for two weeks of recycled air with not even a hint of Sydney breeze.

It gave me time to notice the multitude of Australian accents on ABC news reporting, and the recognition of Aboriginal countries. Sydney as Gadigal Country has now entered my brain. What a joyful thing that this seems to have permeated Australian life.

On emerging from the hotel I visited the Unsettled exhibition at the Australian Museum, which was confronting and thought provoking. Often we feel frustrated and despairing at the slow pace of change, but this feels like the start of something big and new.

Is it just lip service? Tagging along with The Echo last week to a ceremony celebrating the Tweed Byron Aboriginal Land Council taking over management of Fingal Head, it felt real and grounded. The speakers stressed the strength of the cooperation between Coastcare groups, the local Tweed Council and the Aboriginal Land Council. It was heartening and I hope they are, as the first in the State to make such a transition, a model for others to follow.

COVID life

Moving around NSW I’ve been struck by the extraordinary level of compliance with COVID regulations and general cautiousness. I felt out of sync. Australia has been protected and ‘living with COVID’ remains an idea rather than the reality it is in France. Everyone signs in; something the French wholeheartedly rejected! Perhaps because there were so many cases in France no-one had confidence the contact tracing system could keep up (they were right – it didn’t), whereas in Australia it has.

Vaccination rates in France and Australia are now roughly the same, so, however it happened, people have responded to the call. I suspect the long summer coming up (generally a low risk period), and the booster shots, will loosen everyone up and living with COVID will become a reality.

Building futures

The elephant in this article is the submarines! I wonder if Australia has missed a trick in so roundly humiliating France. Our relationship feels like it is summed up by tensions over atomic testing in the Pacific and now the submarines.

With a large presence in the Pacific (French Polynesia, New Caledonia, Wallis and Futuna), France is surely a useful partner. More relevant than the British in any case, but language and cultural barriers make it all seem difficult. Maybe we could try harder?

Last but not least, why do Sydneysiders spend so much money on their houses and fail to put in double glazing? Winters are short but very cold and houses are open plan and poorly heated. Inner Sydney is noisy, and it sometimes feels like you are literally living on the street. The only homes with double glazing I’ve encountered belonged to two sciency buddies. Invest, and you won’t be disappointed!



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Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?