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Byron Shire
April 19, 2021

Unfinished Business

Latest News

No accountability for proven police misconduct

On Australia Day in 1998, I was the legal observer for the ‘Nude Ain’t Rude’ rally at Belongil Beach.

Other News

Arakwal chemicals

David Gilet, Byron Bay I have long been dismayed by the use of Glyphosate by Parks & Wildlife in Arakwal National...

HuskeeSwap launches in Lennox

An exciting initiative to keep coffee cups out of landfill launched in Lennox Head yesterday. Ballina Shire Council is backing the HuskeeSwap program with free coffees at different cafes in Lennox this week, for coffeeholics keen to try a new solution to a growing problem.

Sprout lovers

Sprouts can sometimes be overlooked on the weekly grocery list… except for those in the know, of course!

Rocky Creek Field Day coming in July

As part of the Rural Landholder Initiative, rural landholders in the Rocky Creek area are invited to an Off-stream Watering and Riparian Habitat Field Day.

Byron Shire celebrates seniors during festival week

An action-packed program has been planned for the 2021 Byron Shire Seniors Festival with drumming, dancing, walking, yoga and laughing on the program.

Housing crisis and Council

Avital Sheffer, Mullumbimby Population growth in this Shire is inevitable like it or not. Those who are being pushed out by...

This entirely forgettable movie is most notable for the physical appearance of Dave Franco – I had no idea he was so tiny.

Standing next to Tom Wilkinson he is small enough, but when in the same frame as the admittedly gigantic Vince Vaughn he looks like a little boy just out of primary school. And his diminutive stature is accentuated by the fact that the character he plays is juvenile to the point almost of being retarded.

I simply could not figure what his function was in the story, for he does nothing except be there and be stupid.

Then again, Wilkinson does nothing either.

As the idiot without the savant bit, Franco tags along with the other two when Vaughn leaves his job in a hugely successful marketing agency after a row with his bitchy boss (Siena Miller) – it is a scene in which there is more than the mere scent of misogyny.

The guys form their own company and find themselves in direct competition with Siena for a mind-blowing contract with a Euro-knob that will be worth g’zillions. Other than featuring some diverting shots of Berlin, however, there is nothing remotely interesting in a screenplay that is sloppy and slapdash.

He is not to everyone’s taste (I think he’s terrific), but as a comic actor, Vaughn can usually be relied on to at least deliver a line with timing and panache, but the gags in this fly like the Hindenberg.

It is only when Vaughn is compelled to accept accommodation in a German museum’s art installation – American Bussinessman 42 – that the script attempts to venture beyond the banal, but director Ken Scott is otherwise content to rely for laughs on penises sticking through dunny doors in a gay bar and naked negotiations in a sauna.

You get the picture?

A half-hearted attempt is made at commenting on body-image and school bullying, with Vaughn comforting and offering sage advice to his obese son, but the movie is a waste of time for all involved.

~ John Campbell


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