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October 20, 2026

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Latest News

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

Northern Rivers Bushwalkers Club celebrates their 50th

Little did a small group of bushwalkers know, when they went on their first club walk to Salty Lagoon back in 1976, that their club would still be thriving 50 years later.

Reef-building corals face elevated risk of extinction

A new paper from Dr C. Isabel Núñez Lendo shows nearly half of reef-building corals face elevated relative risk of extinction.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

McAuleys estate changes approved, but pet ban and cycle path stay

Developers have secured approval for changes to a contentious Myocum subdivision, but requirements banning pets and providing a cycle path and vehicle turnaround will remain.

Suffolk residents raise concerns over Clifford Street DA

Last Tuesday saw around 40-50 Suffolk Park residents come together to discuss the latest development application (DA 10.2026.476.1) for 9-15 Clifford Street, Suffolk Park. Two previous DAs from Denwol have been refused by the Land and Environment Court and this is the fifth public meeting addressing development at this site over the last four-and-a-half years.

As an offshoot of the anti-hero paradigm, the crim-as-good-guy is a relatively recent development.

I once owned a camera that I had saved up for stolen, so I am less willing to hold thieves dear to my heart, but seeing as how it’s so fashionable to be bad I don’t want to sound too churlish. Suave and hip Nicky (Will Smith), and sexy, sophisticated Jess (Margot Robbie) casually pass the days swanning around swank resorts and exclusive bars in designer gear.

With their network of scammers, they have a high old time of it by pinching punters’ wallets, handbags and credit cards (the next time some low-life rips you off, instead of being angry, try to be grateful that you have contributed to their trip to Bali). At the conclusion of a million-dollar operation, Nicky discards Jess when she becomes surplus to requirements – but he has made the fatal mistake of falling in love with her.

We jump to Buenos Aries a few years later where he has somehow smarmed his way into the entourage of Garrigo (Rodrigo Santoro), a leading driver on the Grand Prix circuit. Rodrigo hatches a plan to give false technical information to his opponents, and he will pay Nicky a heap of money to help him do it. But who do you reckon turns up to throw Nicky off stride?

Jess is at the beautiful-people-only pre-race soiree and, as they say in Screenwriting 101, things get complicated. My personal preference in flicks such as this is for the story to be, if not rock-solid believable, at least in the realms of possibility. When the plot points and coincidences go beyond what is credible, it just gets silly.

Such is the case here. Smith is a very likeable actor, able to walk the pimp roll and talk the hipster jive without making you feel so daggy; Robbie is easy on the eye and the mindless glossy escapism is fair enough, but the best thing about the movie is that you don’t have to endure any screeching Formula One racing.

~ John Campbell



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Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?