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Byron Shire
October 21, 2026

A post-apocalyptic landscape

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A post-apocalyptic landscape

Recently, my mother made the long trek from the big smoke to visit Mullum. She likes to check in...

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Recently, my mother made the long trek from the big smoke to visit Mullum. She likes to check in on younger family members every couple of years, and it’s an excellent excuse to shake up Mr Sheen.

True to form, she travelled entirely by public transport for the princely seniors’ rate of less than three dollars. Born at the tail end of one of last century’s analogue wars, her body is a little marked by time, but she fiercely guards her independence and never misses a chance to save a buck.

We texted throughout the day, tracking her progress. When she transferred from rail to rubber at Casino, this was the official cue to start preparing dinner for her arrival. In years past, TransLink would roll into our once celebrated train station not long after dark, and I would drive to meet her amongst the campers. But this time she was not there. The touchdown point had since migrated.

We spoke on the phone. ‘I’m at the Mullum Coach Terminal’ she announced. Mmm, where might that be? I pondered. Outside Janelle’s newsagency? No, not there. ‘It’s very dark here, there are no cars,’ she responded, ‘…but I can hear music in the distance’. Ahh, she hears the Middle Pub, I concluded. She may have disembarked at the bus shelters behind the post office.

I arrived to find Mum sitting quietly framed by rubbish and graffiti, backdropped by the boarded-up, burnt-out, cyclone-fenced remains of the old dyb dyb dyb, dob, dob dob hall (past members must be wiping teardrops with their scarves) that also entertained stylish tango lessons in the evenings, and Echo transfers at sparrow’s. This location is now a truly spectacular introduction to our town.

When will we get our ‘landscaped parklet’? And will this demolition job also include a giant scout woggle installation as art? Should we assist by gathering funds? We could submit photos to film location companies. The location is the perfect backdrop for an indie post-apocalyptic piece. Or the poor sister to a wealthier tourist destination.

Karen Harborow, Myocum



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Cartoon of the week – 21 October, 2026

The Echo loves your letters and is proud to provide a community forum on the issues that matter most to our readers and the people of the NSW north coast. So don’t be a passive reader, send us your epistles.

Mandy Nolan’s Soapbox: Bring Out Your Dead

Having a dead father made me different to other kids. I was six when he died, and in a small town even I knew that for the week of his death, our family was all anyone was talking about. The 30-year-old, wild and misunderstood Robert, who drove his powder blue Valiant, drunk, head on into an oncoming vehicle, killing the grandfather of someone who I was to later meet in high school. It was a collision that changed my life forever.

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.