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Byron Shire
January 17, 2022

Cinema Review: The Mule

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Free KYUP! Project workshops

Empowering our next generation to value and champion their safety and well being through self-worth and self-defence is the mission of the KYUP Project who are running free workshops in the Northern Rivers today and tomorrow.

Other News

Nurses help patients stay connected

When you find yourself in a hospital, most of us have rushed out the door with our phones in our hands, and without the charger.

Carjacking in Ocean Shores, warrants issued

A young Ocean Shores man and his friends were recently held captive at knife-point and driven to Coolamon Scenic Drive by two young men before they escaped unharmed.

New Murwillumbah exhibition inspired by red centre residency

A new exhibition exploring the landscapes and power of Central Australia will open at Murwillumbah's Small Works Gallery this...

BoM tsunami warning for the NSW Coastline

The State Emergency Service (SES) has issued a tsunami warning as a result of an eruption of Hunga Tonga-Hunga Ha'apa in the Tongan Islands at 3.10pm AEDT yesterday, Saturday, January 15.

Rapid antigen test shortages across the country

As you’ve no doubt heard, people in NSW are now allowed to test themselves for COVID-19 using a rapid antigen test (RAT), rather than lining up at a testing centre. There’s just one problem: no one has any RATs.


A compliance officer working for Byron Shire Council (BSC) has told a Brunswick resident who was attacked by a...

Toxic masculinity is the phrase of the moment, and to a lot of people, particularly women, it is personified on screen by Clint Eastwood. But anybody familiar with his work will know that the tough-guy image is only a minor part of the package, for his films see affection and sentiment going hand in glove with a sometimes bitter but always stoic determination to resist political correctness and faddish relativism. Eastwood believes in taking responsibility for one’s actions, in owning up to who you are. In this cracking movie he is Earl Stone, a shuffling old horticulturist who, after losing his home and business in a foreclosure, becomes a drug mule for a Mexican cartel. Earl accepts that he is dealing with bad hombres, but he justifies his activity by using the fabulous amounts of money he pockets to bankroll local businesses and pay for his granddaughter’s education. What his money can’t buy is a rapprochement with his wife and daughter (Dianne Wiest, Alison Eastwood), whom he has always neglected in favour of his work. Meanwhile, the cops (Bradley Cooper, Michael Peña) are closing in. Through Earl, Eastwood is defiantly old school. He can’t text and is astounded that a man would need to Google ‘how to change a flat tyre’ – he even refers to a coloured couple as ‘negroes’ and cannot understand why that’s not done any more. But the venerable director’s critical asides are delivered with a surprisingly light touch and I frequently found myself chuckling at his crusty sarcasm – on racial profiling; a Latino driver stresses that ‘statistically, these are the most dangerous five minutes of my life’ when he is pulled over by the police. As always, he maintains a tight narrative, spurning indulgence and making only sparing use of Arturo Sandical’s haunting theme. Earl’s road to redemption has him confronting the wrongs he has done to others without hiding behind excuses. At 89, Eastwood is in a reflective mood but no less committed to the virtues that make the man. Fantastic.

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Renew Fest hosts May vigil for grief

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BoM tsunami warning for the NSW Coastline

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