20.3 C
Byron Shire
October 20, 2026

Unpacking the Gladys Trap

Latest News

Cinema: NAZA

A must-see, award-winning documentary investigating AI warfare in Gaza. Fresh from winning the Special Jury Prize at the 2026 Venice International Film Festival, NAZA, the latest documentary from Academy Award-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), examines artificial intelligence and surveillance in Israel’s military operations in Gaza.

Other News

Tweed sets out stronger shorebird protections after nesting failures

Tweed Shire Council is considering formal guidelines to protect threatened beach-nesting birds, following breeding failures linked to visitor disturbance at Hastings Point.

Norma Gunhoe brings the ‘Gunghoedown’ to town

Radio broadcasting sensation, Norma Gunghoe, is launching herself at the world from the Mullumbimby Golf Club with the Gunghoedown this Saturday, 17 October at 6pm and you are invited to come along and join the fun.

BBFF Young Australian Filmmaker of the Year

Melbourne writer-director Jake James Whitford has been named the 2026 Young Australian Filmmaker of the Year at the Byron Bay International Film Festival (BBFF), for his short film 'The Squatters and the Fairy Princess'.

Fish kill follows Belongil Creek opening as Council reviews protocols

A fish kill at Belongil Creek has prompted warnings to avoid the affected area, with Byron Shire Council and government agencies investigating the incident following an artificial opening of the creek.

Early works finished for Byron’s $8.2 million fire station

Early works have been completed for Byron Bay’s new $8.2 million fire station, with construction of the building set to begin.

Double trouble as Byron High fundraiser hits $20,000!

A thousand dollars was enough to put Byron Bay High School’s principal in the barber’s chair. Twenty thousand means she’ll have company.

New premier Gladys Berejiklian. Photo Crikey

I met former NSW Premier, Gladys Berejiklian, when we were working for NSW Liberal Opposition Leader, Peter Collins, in 1996. 

I was policy director, and she was research officer – we shared an office in the leader’s suite, next door to the kitchen, where we made morning coffee, waiting impatiently for clunky computers to power up.

She was my friend, who referred to me for two decades as her mentor. 

At the time, Gladys was tasked with ringing MPs’ offices to deliver instructions from the leader. 

I sat next to her with every phone call. She began tentatively with: ‘I am so sorry to disturb you’. She was blushing and awkward. Eventually, I said to her ‘Glad, you shouldn’t start every phone call with an apology. It’s giving them the impression the message is not important. Yes, we need to be respectful, but don’t make them feel like they are giving you a favour by talking to you’. 

‘You will end up with them treating you as an inferior’. 

When Gladys started her education, she was the only Armenian in her school, and she didn’t speak any English. Her success highlights the value of public school education, and shows how determination and diligence can overcome personal challenges. 

Gladys did conquer all, and grew up to become the pride of Sydney’s close-knit Armenian community. 

She confided in me the sense of duty this brought, and that she could only marry an Armenian boy. Anyone else would be a massive disappointment to her parents. Surely, there was someone she might meet who was both Armenian and who she might love? 

We cannot know the future. But Gladys, aged in her mid 20s, was completely certain. Why? 

‘Because it’s such a small community, and I already know all of them – there isn’t anyone to change my mind’. 

It was a startling revelation. She had pretty much ruled herself out of having her own family, and turned instead to her Liberal peers for her personal identity. 

And she did forge amazing friendships and alliances. She was witty, humble and incredibly hardworking – pouring herself into politics and taking advice from power brokers. 

Everyone loved Gladys, she was a warrior for the Liberals, and she didn’t dabble in the dark arts of leaking and destroying people; so she was trusted. 

The problem is honest, smart, dedicated Gladys never seemed to grasp the power of her own popularity. 

What the public saw of Gladys was completely legit. She is the de-escalator of conflict, getting on with the job that drama-averse men particularly appreciate. 

But when it came to her premiership, Gladys fell into a trap. 

Nefarious characters she pleased and appeased on the way up got the return on their investment. It came at a cost, and tainted her leadership.

One moment at the ICAC hearings encapsulated the ‘Gladys Trap’. 

She was asked about her intervention to award grants to the Wagga Wagga electorate of her secret lover, disgraced Liberal MP, Daryl Maguire. 

She was asked about the integrity of her decisions with the grants, given they failed the merit test, which is a requirement. 

Gladys insisted that all the grant decisions had integrity. 

‘I have always acted with integrity’, she told the ICAC hearings. 

Pressed further, she expanded, ‘I have a duty to the public, and a duty to the government’.

When she refers to ‘government’, of course, she means the Liberal and National parties. It was her job to lead them to victory at the next election.

This is about power, and what fear of losing it can do to a person with it.

Image supplied.

What Gladys did, at least in her own mind, was conveniently conflate the public interest with the LNP’s political interests, on the basis she is beholden to those party colleagues who made her leader. 

Many of her past decisions that bewildered me suddenly made sense. 

This included dumping Gillian Skinner, who was a successful and respectful health minister, to make room for factional allies – all of them men. This reduced the number of women in Cabinet. She also appointed two male presiding officers in parliament. These decisions exacerbated the ‘women problem’ in the Liberal Party.

The logic of ‘I have a duty to re-elect the government’ justifies almost anything. She can look you in the eye and say the decisions were ‘based on merit’. 

It turns out the merit was not defined in the public interest at all – it was just her view that she was the best person to lead the government. 

Because these decisions didn’t fatten her own bank account, she continued to claim ‘integrity’ – something I know the younger version of Gladys would never have done. It seems to have been a navigation tool she developed for hard choices as leader. 

Listening to her incredible evidence to ICAC, I momentarily glimpsed my former friend, recalling her first days at school without any English – desperate to fit in, to please, and to make something of herself. 

I do believe she was exploited, not just by Daryl Maguire, but by those who wanted her to follow the ‘two duties’ culture. As premier, it was her responsibility to recognise this as incompatible and stand up to it. 

Wilful blindness is a dangerous trap at the top. Whether it was the captain of the Titan ignoring advice, the aborted Russian Coup, or the long-awaited release of the ICAC report, where Gladys allowed her friends to cloud her judgement – in every case, a leaders’ wilful blindness to difficult truths inflicts consequences and costs.

♦ Catherine Cuasck is a former Liberal MLC and is based in Lennox Head.



For four decades The Echo has printed the stories some people loved, some people hated, and some pretended not to read. If you want us to keep telling the truth, the real truth, not the sugar-coated version. We’ll need your support to keep the presses rolling.

If you are a local business owner help us and in turn we help you. All The Echo asks for is advertising, not a free ride. It is every advert in The Echo and on www.echo.net.au, which creates the space for all the stories and coverage of community events, happenings and concerns.

If you are a reader you can become a sponsor of The Echo. Your support keeps the us independent.

Even a small one-off or regular donation from you will help keep the echo’s independent voice alive and strong.

Support Us

Become one of the supporters who helps keep independent, local journalism alive in the Byron Shire by contributing anything from as little as the cost of a coffee each month.

You're Wonderful, Thank you for supporting independent journalism in the Byron Shire

You’re supporting The Echo, thank you

Your contribution is keeping independent, local journalism alive in the Northern Rivers.

Because of supporters like you, we can keep every story free for everyone — no paywall, no exceptions. Your money goes directly to funding our newsroom of 40-odd local workers covering the stories that matter to this community.

Tell us what you think, give us your opinion

The Echo loves your letters and comments and is proud to provide a community forum on the issues that matter most to our readers and the people of the NSW north coast. So don’t be a passive reader, email us your epistles at editor@echo.net.au.

The letters deadline for The Echo is noon Friday. Letters longer than 200 words may be cut. The publication of letters is at the discretion of the letters editor. Please remember to include your full name, address and telephone number.

Online comments are no longer available.

Interview with Genevieve Clay-Smith, director of Boss Cat showing at the Byron Bay Film Festival

When Sonja (Olivia Hargroder) loses her mother without warning, the only steady presence left in her life is her grandmother, Doris. But Doris’s idea of stability means dismantling everything Sonja has built. For Sonja, who lives with Trisomy 21 (Down syndrome) and has spent her life fighting to be underestimated by no one, Doris’ plan feels less like protection and more like erasure. Directed by Genevieve Clay-Smith, Boss Cat is a vibrant, big-hearted Australian dramedy about independence, family and self-determination, anchored by a fearless lead performance.

Something for everyone at the Picture House

From Australian superstar musos, to brand new documentaries, to comedians at the top of their game, there really is something for everyone at the Brunswick Picture House.

Thirty-six unmissable films

The 2026 Russell Hobbs British Film Festival features an unmissable line up 36 films, including five retrospectives which will screen from 28 October to 29 November at Palace Byron Bay and Ballina Cinemas.

A timeless story of self-discovery

A husband with a promotion, two adorable children and a lovely new house. Nora thought she had it all. But did she? What was the discontent that was whispering to her in the shadows?